Designer Sigal Cohen Wolkowiez imagined the American Southwest at golden hour—Georgia O’Keeffe’s dusty pink mesas, wind-smoothed canyons, and mirage-worthy gradients of light. Each print began as a hand-painted watercolor, then was digitally transferred onto organic cotton voile, silk chiffon, and recycled Lycra so that brushstrokes remained visible in motion. resident.com
“My collections are always rooted in freedom—interpreting silence and stillness as something full of life.” — Sigal Cohen Wolkowiez resident.com
LookConstruction NotesImpact on RunwayOff-shoulder jumpsuitElastic neckline + fluid palazzo leg; no side seams to keep the dip-dye uninterruptedBillows like desert heatwaves, then snaps back at the waist for shapeStrapless crop & skirt setBoned bandeau paired with asym. wrap skirtFrames midriff without sacrificing easeLava-swirl cut-out dressTwist-front bodice meets column skirt with hidden slitCreates hourglass illusion while reading effortlessAmethyst one-pieceHalter plunge plus origami-twist waistElongates torso; ombré highlights musculature
Lund’s brief: “controlled ease.”
The isolated wave “acts like a brushstroke on a blank canvas,” Lund explained backstage—tying the hair story back to Wolkowiez’s art-first prints.
Backstage artists mirrored the desert-dusk theme with tangerine-to-terracotta eyelids, glossy skin, and barely stained lips. Feet were mostly bare or laced with delicate gold anklets so fabric movement—and that one mid-length wave—stayed center-stage.